Shirley Anne Field

Personal Info

Known For

Acting

Known Credits

57

Gender

Female

Birthday

1938-06-27

Day of death

2023-12-10 (85 years old)

Place of Birth

Forest Gate, Essex, England, UK

Shirley Anne Field

Biography

Shirley Anne Field (born Shirley Broomfield; June 27, 1938 - December 10, 2023) was an English actress who performed on stage, film and television since 1955, prominent during the British New Wave. After a course at the Lucie Clayton School and Model Agency, she became a photographic model for pin-up magazines like Reveille and Titbits. She was subsequently spotted by Bill Watts, who ran a theatrical agency and obtained for her roles in late 1950s British films, usually uncredited. Her first appearance in a film was as an extra in Simon and Laura (1955). She had small parts in All for Mary (1955), Lost (1956), Yield to the Night (1956) (directed by J. Lee Thompson), It's Never Too Late (1956), It's a Wonderful World (1956), The Weapon (1956), Loser Takes All (1956), The Silken Affair (1956), Dry Rot (1956), The Good Companions (1957) (again for Thompson), Seven Thunders (1957), and The Flesh Is Weak (1957). She was in episodes of The New Adventures of Martin Kane (1957) and International Detective. Field's first sizeable film role was in Horrors of the Black Museum (1959). She had minor parts in Once More, with Feeling! (1960) and And the Same to You (1960). Field had a larger role in the controversial Peeping Tom (1960). She appeared on stage in The Lily White Boys with Albert Finney. In 1960, Field's breakthrough came when she was chosen by Tony Richardson to play the role of model Tina Lapford in The Entertainer (1960), starring Laurence Olivier, distributed by Bryanston Films. Field had a supporting role in Beat Girl (1960), then appeared in probably her best known role as Doreen, the would-be girlfriend of rebellious Arthur Seaton (played by Albert Finney), in the New Wave film Saturday Night and Sunday Morning (1960). Field starred alongside Kenneth More in Man in the Moon (1960). With those three big film starring roles in 1960, she became one of the very few actors ever to have their name above the titles in all the major cinemas around Leicester Square simultaneously. Although offered a role in A Kind of Loving (1962), Field turned it down to play the female lead in a Hollywood financed film, The War Lover (1962), with Steve McQueen. In the UK, she had the lead in Lunch Hour (1962), which was one of her favorite films. For Hammer films, Field starred in The Damned (1963), directed by Joseph Losey. She went to Hollywood to play the female lead in an epic directed by J. Lee Thompson, Kings of the Sun (1963). Thompson had her under personal contract at this stage. Field went to Italy to appear in The Wedding March (1966), then back in England made Doctor in Clover (1966) and Alfie (1966). She had a supporting role in Hell Is Empty (1967) and later starred in With Love in Mind (1970) and A Touch of the Other (1970), then made House of the Living Dead (1974). By the late 1970s Field was more commonly seen on TV, in shows such as Centre Play, Shoestring, Buccaneer, Never the Twain and a long run on Santa Barbara as well as TV movies like Two by Forsyth. She had roles in films like My Beautiful Laundrette (1985), Shag (1989), Getting It Right (1989), The Rachel Papers (1989), Hear My Song (1991), UFO (1993), Taking Liberty (1993), Loving Deadly (1994), and At Risk (1994). Description above from the Wikipedia article Shirley Anne Field, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

  • The Tonight Show Starring Johnny Carson

    The Tonight Show Starring Johnny Carson

  • Murder, She Wrote

    Murder, She Wrote

  • Last of the Summer Wine

    Last of the Summer Wine

  • Waking the Dead

    Waking the Dead

  • Blankety Blank

    Blankety Blank

  • Dalziel & Pascoe

    Dalziel & Pascoe

  • Monarch of the Glen

    Monarch of the Glen

  • Countdown

    Countdown

  • The Wedding March

    The Wedding March

  • Shag

    Shag

  • Never the Twain

    Never the Twain

  • Lady Chatterley

    Lady Chatterley

  • Bramwell

    Bramwell

  • The Power of Three

    The Power of Three

  • Upstairs and Downstairs

    Upstairs and Downstairs

  • Alfie

    Alfie

  • The War Lover

    The War Lover

  • Santa Barbara

    Santa Barbara

  • Hell Is Empty

    Hell Is Empty

  • The Good Companions

    The Good Companions

  • Peeping Tom

    Peeping Tom

  • My Beautiful Laundrette

    My Beautiful Laundrette

  • Beautiful Relics

    Beautiful Relics

  • Lost

    Lost

  • Loving Deadly

    Loving Deadly

  • Once More, with Feeling!

    Once More, with Feeling!

  • And the Same to You

    And the Same to You

  • Anna Lee: Headcase

    Anna Lee: Headcase

  • Seven Thunders

    Seven Thunders

  • Lunch Hour

    Lunch Hour

  • The Kid

    The Kid

  • The Damned

    The Damned

  • Man in the Moon

    Man in the Moon

  • Saturday Night and Sunday Morning

    Saturday Night and Sunday Morning

  • Loser Takes All

    Loser Takes All

  • Shotgun

    Shotgun

  • The Entertainer

    The Entertainer

  • Buccaneer

    Buccaneer

  • The Flesh Is Weak

    The Flesh Is Weak

  • Cash in the Celebrity Attic

    Cash in the Celebrity Attic

  • Simon and Laura

    Simon and Laura

  • Christie Malry's Own Double-Entry

    Christie Malry's Own Double-Entry

  • Kings of the Sun

    Kings of the Sun

  • El C.I.D.

    El C.I.D.

  • Beat Girl

    Beat Girl

  • Madson

    Madson

  • U.F.O. The Movie

    U.F.O. The Movie

  • House of the Living Dead

    House of the Living Dead

  • Hear My Song

    Hear My Song

  • Doctor in Clover

    Doctor in Clover

  • The Rachel Papers

    The Rachel Papers

  • Getting It Right

    Getting It Right

  • Risking It

    Risking It

  • The Weapon

    The Weapon

  • Horrors of the Black Museum

    Horrors of the Black Museum

  • All for Mary

    All for Mary

  • A Touch of the Other

    A Touch of the Other