Luís Miguel Cintra

Personal Info

Known For

Acting

Known Credits

94

Gender

Male

Birthday

1949-04-29 (76 years old)

Place of Birth

Madrid, Spain

Luís Miguel Cintra

Biography

An iconic actor and stage director in Portugal, Luís Miguel Cintra was born in Madrid, in 1949. His connection to theater began in 1968, at the Faculty of Letters Theater Group, when he was studying Romance Philology at the University of Lisbon. From 1970 to 1972, he attended the Acting Technical Course, in the Bristol Old Vic Theatre School, thanks to a scholarship from the Calouste Gulbenkian Foundation. When he returned to Portugal, he founded, along with Jorge Silva Melo, the Teatro da Cornucópia Company, in 1973, where he directed plays by some of the great names in theater, including Aeschylus, Sophocles, Shakespeare, Brecht, Beckett, Strindberg, and many others, almost always participating as an actor in the plays he directed. At the same time, until the 80s, he was a theater critic for O Tempo e o Modo magazine and he managed the Seara Nova Theater Collection, from Estampa publishing house, and the Theater Collection, from Ulmeiro publishing house. As a reader, Luís Miguel Cintra recorded complete readings of Viagens na Minha Terra, by Almeida Garrett and Amor de Perdição, by Camilo Castelo Branco, as well as poems by Pessoa, Sophia de Mello Breyner, Camões, Antero de Quental and Ruy Belo. In 1987, Cintra made his debut as an opera stage director, with L'Enfant et les Sortilèges, by Ravel and Dido and Aeneas, by Purcell, at the Teatro Nacional de S. Carlos. In the following years, he directed operas by Mozart, Haydn, Cherubini, among others. He worked with the Teatro Nacional de S. Carlos Choir and the Gulbenkian Choir, as a reader, in recitals by authors such as Schubert, Liszt, Sati and Poulenc. In 1984, he entered the Venice Biennial Theater Festival with his group and in 1988 he directed the show La Mort du Prince et Autres Fragments, by Fernando Pessoa, for the Avignon Festival. Later, he kept on presenting plays in Italy, France, Spain and. Belgium In addition to the theater, Luís Miguel Cintra began his career in cinema early, making his debut in a short film by João César Monteiro. From that point until now, he worked in over 70 films, with directors like the aforementioned João César Monteiro, Paulo Rocha, Manoel de Oliveira, Joaquim Pinto, João Botelho, Teresa Villaverde, Pedro Costa and the American John Malkovich. His many awards include two Bordalo da Casa da Imprensa Awards for Best Acting in Film (1995) and Best Acting in Theater (1997), two Globos de Ouro for Theater Personality of the Year (1999) and Best Theater Actor (2003), the Coimbra University Award and the Pessoa Prize, both in 2005. The LEFFEST will pay tribute to Luís Miguel Cintra’s work as an actor, through a selection of films he starred in; and as a stage director, showing recordings of some of the plays, followed by discussions with the audience and several actors he worked with.

Known For

  • The Uncertainty Principle

    The Uncertainty Principle

  • The Cannibals

    The Cannibals

  • A Present Light

    A Present Light

  • Around Rocha’s Table

    Around Rocha’s Table

  • If I Were a Thief... I'd Steal

    If I Were a Thief... I'd Steal

  • Lisboa Cultural

    Lisboa Cultural

  • Rage

    Rage

  • Silvestre

    Silvestre

  • The Strange Case of Angelica

    The Strange Case of Angelica

  • Abraham's Valley

    Abraham's Valley

  • The Jester

    The Jester

  • My Case

    My Case

  • Blood

    Blood

  • Erros Meus

    Erros Meus

  • Rending

    Rending

  • Recollections of the Yellow House

    Recollections of the Yellow House

  • Illusion

    Illusion

  • Correspondences

    Correspondences

  • Biette

    Biette

  • Here on Earth

    Here on Earth

  • Demain?

    Demain?

  • The Dancer Upstairs

    The Dancer Upstairs

  • A Pousada das Chagas

    A Pousada das Chagas

  • From Now On

    From Now On

  • Casa de Lava

    Casa de Lava

  • The Letter

    The Letter

  • The Sword and the Rose

    The Sword and the Rose

  • Magic Mirror

    Magic Mirror

  • Ninguém Duas Vezes

    Ninguém Duas Vezes

  • Arrabalde

    Arrabalde

  • The Heart's Root

    The Heart's Root

  • Word and Utopia

    Word and Utopia

  • The Divine Comedy

    The Divine Comedy

  • Poor George

    Poor George

  • Two Brothers, My Sister

    Two Brothers, My Sister

  • Gebo and the Shadow

    Gebo and the Shadow

  • The Convent

    The Convent

  • The Life of Mirrors

    The Life of Mirrors

  • Second Hand

    Second Hand

  • Tall Stories

    Tall Stories

  • The Mountains of the Moon

    The Mountains of the Moon

  • Transatlantique

    Transatlantique

  • Carlos de Oliveira: Upon the Left Side

    Carlos de Oliveira: Upon the Left Side

  • O Poeta Doido, o Vitral e a Santa Morta

    O Poeta Doido, o Vitral e a Santa Morta

  • The Spousals of God

    The Spousals of God

  • Fragments of an Alms-Film

    Fragments of an Alms-Film

  • Inquietude

    Inquietude

  • Vertiges

    Vertiges

  • April Captains

    April Captains

  • The Old Man of Belem

    The Old Man of Belem

  • Romance de Vila do Conde

    Romance de Vila do Conde

  • No, or the Vain Glory of Command

    No, or the Vain Glory of Command

  • The Last Dive

    The Last Dive

  • The Satin Slipper

    The Satin Slipper

  • Love Lights

    Love Lights

  • The Wolf of the West Coast

    The Wolf of the West Coast

  • História do Cinema Português

    História do Cinema Português

  • Island of Loves

    Island of Loves

  • Snow White

    Snow White

  • O Outro Teatro ou As Coisas Pertencem a Quem as Torna Melhores

    O Outro Teatro ou As Coisas Pertencem a Quem as Torna Melhores

  • Blind Man's Bluff

    Blind Man's Bluff

  • The Enclosure of Time

    The Enclosure of Time

  • Pathos Ethos Logos

    Pathos Ethos Logos

  • The world that was (and that is)

    The world that was (and that is)

  • A Talking Picture

    A Talking Picture

  • We Are on Air

    We Are on Air

  • Eccentricities of a Blonde-Haired Girl

    Eccentricities of a Blonde-Haired Girl

  • Where the Sun Beats

    Where the Sun Beats

  • The Days When I Don’t Exist

    The Days When I Don’t Exist

  • Christopher Columbus, The Enigma

    Christopher Columbus, The Enigma

  • Zéfiro

    Zéfiro

  • War

    War

  • The Fifth Empire

    The Fifth Empire

  • Truth or Dare?

    Truth or Dare?

  • Peixe-Lua

    Peixe-Lua

  • Day of Despair

    Day of Despair

  • Villa Mauresque

    Villa Mauresque

  • Anteroom

    Anteroom

  • He Goes Long Barefoot That Waits For Dead Men's Shoes

    He Goes Long Barefoot That Waits For Dead Men's Shoes

  • Días color naranja

    Días color naranja

  • O Filme Feliz :)

    O Filme Feliz :)

  • The New Testament of Jesus Christ According to John

    The New Testament of Jesus Christ According to John

  • E Não se Pode Exterminá-lo?

    E Não se Pode Exterminá-lo?

  • One of Us Cannot Be Wrong

    One of Us Cannot Be Wrong

  • Alcibíades

    Alcibíades

  • Entremês Famoso Sobre a Pesca no Rio Minho

    Entremês Famoso Sobre a Pesca no Rio Minho

  • Pathos

    Pathos

  • Nem Pássaro Nem Peixe

    Nem Pássaro Nem Peixe

  • A Morte do Príncipe

    A Morte do Príncipe

  • Memoirs of Teatro da Cornucópia

    Memoirs of Teatro da Cornucópia

  • Signals of Life

    Signals of Life

  • Gestures and Fragments

    Gestures and Fragments

  • A Propósito da Bandeira Nacional

    A Propósito da Bandeira Nacional

  • Manuel Casimiro - Pintar a Ideia

    Manuel Casimiro - Pintar a Ideia