Luisa Huertas

Personal Info

Known For

Acting

Known Credits

50

Gender

Female

Birthday

1951-01-01 (74 years old)

Place of Birth

San Salvador, El Salvador

Luisa Huertas

Biography

Luisa Huertas is an actress of Salvadoran and Mexican nationality, born on June 24, 1951, in San Salvador, El Salvador. Born to a Spanish refugee father and a Mexican businesswoman mother, Luisa was trained at the Escuela de Arte Teatral del INBA and the Centro Universitario de Teatro CUT-UNAM, two of Mexico's most respected institutions. She spent part of the 1970s in film and was also known for her role as Rosita in the children's series Sesame Street, before beginning her remarkable career in Mexican television, in several of the most popular and recognized telenovelas, including Dulce Desafío (1988-1989), Carrusel (1989), Al filo de la muerte (1991), Volver a empezar (1994), among others. A founding member of the Mexican Academy of Theatrical Art, in addition to being a member of the Advisory Board of the CUT of the UNAM, she has also been a stable and frequent cast member of the National Theater Company. In recent years, Luisa has participated in series such as La casa de las flores (2020), Todo por nada (2021) and in films such as Dos mujeres y una Vaca (2015) and Cosas imposibles (2021). She is a graduate of the Escuela de Arte Teatral del INBA and the Centro Universitario de Teatro, CUT-UNAM where she has also taught. She is co-founder and General Director of the Centro de Estudios para el Uso de la Voz (CEUVOZ). She received the Asociación de Periodistas de Teatro award and the Metro award both for best actress for El diccionario. She won the Ariel for her role in Arturo Ripstein's Mentiras Piadosas. She is a founding member of the Academia Mexicana de Arte Teatral, A.C. and is part of the stable cast of the Compañía Nacional de Teatro. In 2020 she was named by Dr. Claudia Sheinbaum, Living Cultural Heritage of Mexico City, celebrating 50 years of career.

Known For

  • El Chema

    El Chema

  • The Mask of Zorro

    The Mask of Zorro

  • Gotita de Amor

    Gotita de Amor

  • The Arrival

    The Arrival

  • Half of the World

    Half of the World

  • The Juror

    The Juror

  • Prison Cell 211

    Prison Cell 211

  • The Beginning and the End

    The Beginning and the End

  • The Janitor

    The Janitor

  • The Marked Hour

    The Marked Hour

  • I Have to Die Every Night

    I Have to Die Every Night

  • The Honest Candidate

    The Honest Candidate

  • Bedtime Fairy Tales for Crocodiles

    Bedtime Fairy Tales for Crocodiles

  • Impossible Things

    Impossible Things

  • Violent Stories

    Violent Stories

  • Las asesinas del panadero

    Las asesinas del panadero

  • The Realm of Fortune

    The Realm of Fortune

  • To Love Too Much

    To Love Too Much

  • The Overturning Of The Heart

    The Overturning Of The Heart

  • Written on the Body of Night

    Written on the Body of Night

  • Blue Eyelids

    Blue Eyelids

  • The Crime of Padre Amaro

    The Crime of Padre Amaro

  • Potosí

    Potosí

  • McHale's Navy

    McHale's Navy

  • Sin remitente

    Sin remitente

  • The Queen of the Night

    The Queen of the Night

  • Under a Spell

    Under a Spell

  • Patron Saint

    Patron Saint

  • Beat

    Beat

  • Gitanas

    Gitanas

  • Rencor

    Rencor

  • KM 31: Kilometer 31

    KM 31: Kilometer 31

  • José, hijo del hombre

    José, hijo del hombre

  • The Cost of Living

    The Cost of Living

  • Pulling Strings

    Pulling Strings

  • Sofía

    Sofía

  • We Shall not be Moved

    We Shall not be Moved

  • Love Lies

    Love Lies

  • Heart Of Adobe

    Heart Of Adobe

  • Iguana Like the Sun

    Iguana Like the Sun

  • Machete Language

    Machete Language

  • Hasta Morir

    Hasta Morir

  • Dos mujeres y una vaca

    Dos mujeres y una vaca

  • De la infancia

    De la infancia

  • En las manos de Dios

    En las manos de Dios

  • The Last Veil

    The Last Veil

  • Laudate Pueri

    Laudate Pueri

  • Reliefs

    Reliefs

  • We Vanish

    We Vanish

  • Take It as you Like

    Take It as you Like